Chapter One
The Patron Ward was smiling but that did not mean that he was amused. The smile was a velvet glove covering his iron determination to get under way without any lost motion. - WR, from Brain Waves and Death
On January 30, 1940, shortly after ten P.M., the superintendent of the building at 116 East 83rd Street noticed that a bottle of milk delivered that morning to one of his tenants had remained in front of the door all day. The young man who rented the three-room apartment had not said anything about going out of town. He was a conspicuous fellow, extremely tall - at least six feet four - and lean, with piercing blue eyes and a shock of dark hair. After knocking repeatedly and failing to get an answer, the superintendent notified the police.
William T. Richards was found dead in the bathtub with his wrists slashed, blood from his wounds garlanding the walls of the bathroom. He was dressed in his pajamas, his head resting on a pillow. A razor blade lay by his hand. He was a former chemistry professor at Princeton University who was currently employed as a consultant at the Loomis Laboratory in Tuxedo Park, New York. He was thirty-nine years old. His personal papers mentioned a mother, Miriam Stuart Richards, living in Massachusetts, and the detective at the scene asked the Cambridge police to contact her. As The New York Times reported the following morning, William Richards was from a prominent Boston family, son of the late professor Theodore William Richards of Harvard, winner of a Nobel Prize in chemistry, and the brother of the former Grace (Patty) Thayer Richards, wife of the president of Harvard, James B. Conant.
Although his death was clearly a suicide, everything possible was done to hush up the more unpleasant aspects of the event, and the Boston papers never published the details. Richards' brother, Thayer, was immediately dispatched to New York, and he saw to it that most of what had transpired was concealed from his mother and sister. A suicide note that was found by the tub was destroyed, and its contents were never revealed. The Richards family was naturally concerned about its reputation, but there were also pressing concerns, of a rather delicate nature, that made it vitally important that Bill's suicide be kept as quiet as possible. Miriam Richards, desperate to avoid any scandal, drafted a reassuring letter attempting to put the untimely death of her son in a better light, copies of which she sent out to important friends and relations. She explained that Bill had long been "nervously, seriously ill" and had never properly recovered from severe abdominal surgery several years earlier. She also supplied him with an end that left open the possibility that his death was accidental, writing that "Bill died of an overdose of a sleeping draught." It is entirely possible that this is what she had been told.
"William Theodore Richards was beyond any doubt one of the most brilliant members of our class," began his Harvard obituary, based on the fond reminiscences of his friends and scientific colleagues. He was interested in new scientific phenomena, the originality of his ideas leading him into experimental work. But he had the kind of restless, wide-ranging intelligence - he was a talented painter and musician and briefly considered playing the cello professionally - that made him, according to one friend, "a veritable Renaissance man." He was a chemist at his father's insistence, but his heart was not in it, and he found it difficult to force himself to undertake the routine proofs and laborious accumulation of data that would have given him more publishable material and more recognition in his field. He had "a mentality which could be called great," wrote his classmate Leopold Mannes, a fellow scientist and musician, who speculated that Richards despaired of ever meeting the onerous demands he imposed on himself. "In his attitude towards life, towards science, towards music - of which he had an astounding knowledge and perception - and towards literature, he was a relentless perfectionist, and thus his own implacable judge. No human being could be expected fully to satisfy such standards."
Richards was a solitary man, confining his friends to a small, clever circle. He kept most of his contemporaries at bay with his caustic wit, which made quick work of any human frailty, whether at his own expense or someone else's. With complete abandon, he would ruthlessly mimic anyone from Adolf Hitler to some sentimental woman who had been foolish enough to confide in him. To most, he seemed cordial, cold, and a bit superior, his moodiness exacerbated by periods of poor health and depression. He eventually quit his job at Princeton and moved to New York, where he worked part-time as a chemical consultant while devoting himself to an arduous course of psychotherapy. The Harvard memorial notes concluded that "after a brave struggle for ten years to overcome a serious neurosis, which in spite of treatment grew worse, Bill died by his own hand."
Richards' death was nevertheless "shocking" to Jim Conant and his wife, Patty. Richards had celebrated Christmas with them only a few weeks before and had stayed in the large brick mansion at 17 Quincy Street that was the official residence of the Harvard president. Although his psychological condition had always been precarious, he had seemed "to be making real progress," his mother later lamented in a letter to a close family friend, so much so that "last summer and autumn he was so happy and well that for fun he wrote a detective story." Richards had submitted the manuscript to Scribner's, which "had at once accepted it."
Just a few weeks after he took his own life, his book, Brain Waves and Death, was published under the pseudonym "Willard Rich." It was, in most respects, a conventional murder mystery, with the added interest of being set in a sophisticated modern laboratory, where a group of eminent scientists are hard at work on an experiment designed to measure the electrical impulses sent out by the brain. In a twist on the standard "hermetically sealed room" problem, Richards staged the murder in a locked experimental chamber that is constantly monitored by highly sensitive listening devices and a camera. The book earned respectful reviews, with The New York Times describing the story as "ingeniously contrived and executed" and awarding Willard Rich "an honorable place in the ranks of mystery mongers." None of the critics were apparently aware that the author was already dead or that he had rather morbidly foreshadowed his imminent demise in the book, in which the first victim is a tall, arrogant young chemist named Bill Roberts.
At the time, only a small group of elite scientists could have known that while the method Richards devised to kill off his literary alter ego was of his own invention - a lethal packet of poison gas that was frozen solid and released into the atmosphere when warmed to room temperature - the actual science and the laboratory itself were real. George Kistiakowsky, a Harvard chemistry professor and one of Richards' closest friends and professional colleagues, guessed the truth immediately, "that it was a take-off on the Loomis Laboratory and the characters frequenting it." Despite its contrived plot, the book was essentially a roman clef. No one who had ever been there could fail to recognize that the "Howard M. Ward Laboratory" was in reality the Loomis Laboratory in Tuxedo Park and that the charismatic figure of Ward himself was transparently based on Alfred Lee Loomis, the immensely wealthy Wall Street tycoon and amateur physicist who, among his myriad inventions, claimed a patent for the electroencephalograph, a device that measured brain waves.
The opening paragraphs of the book perfectly captured Loomis' rarefied world, where scientists mingled with polite society and where intellectual problems in astronomy, biology, psychiatry, or physics could be discussed and pursued in a genteel and collegial atmosphere: The Howard M. Ward Laboratory was not one of those hospital-like institutions where Pure Science is hounded grimly and humorlessly as if it were a venomous reptile; the grounds of the Laboratory included a tennis court, bridle paths, and a nine-hole golf course. Guests there did not have to confine themselves to science, they could live fully and graciously.
It was Richards who had first told Kistiakowsky about Loomis' private scientific playground in Tuxedo Park, a guarded enclave of money and privilege nestled in the foothills of the Ramapo Mountains. Tuxedo Park, forty miles northwest of New York City, had originally been developed in 1886 by Pierre Lorillard, the tobacco magnate, as a private lakefront resort where his wealthy friends could summer every year. The rustic retreat became the prime meeting ground of American society, what Ward McCallister famously called "the Four Hundred," where wealthy moguls communed with nature in forty-room "cottages" with the required ten bedrooms, gardens, stables, and housing for the small army of servants required for entertaining in style. Leading members of the financial elite, such as Rockefellers and Morgans, numbered among its residents, as did Averell Harriman, who occupied a vast neighboring estate known as Arden. Over the years, Tuxedo Park, with its exclusive clubhouse and fabled balls, had taken on all of the luster and lore of a royal court, and although it had dimmed somewhat since the First World War, it still regarded itself as the Versailles of the New York rich.
Loomis, a prominent banker and socialite, was very much part of that world and owned several homes there. According to Richards, however, Loomis was also somewhat eccentric and disdained the glamorous swirl around him. He had developed a passion for science and for some time had been leading a sort of double life: as a partner in Bonbright & Co., the thriving bond investments subsidiary of J. P. Morgan, he had amassed a substantial fortune, which allowed him to act as a patron somewhat in the manner of the great nineteenth-century British scientists such as Charles Darwin and Lord Rayleigh. To that end, Loomis had purchased an enormous stone mansion in Tuxedo, known as the Tower House, and turned it into a private laboratory where he could give free rein to his avocation - primarily physics, but also chemistry, astronomy, and other ventures. He entertained lavishly at Tower House and invited eminent scientists to spend long weekends and holidays as his guests. More to the point, as Richards told Kistiakowsky, Loomis also extended his hospitality to "impecunious" young scientists, offering them stipends so they could enjoy elegant living conditions while laboring as skilled researchers in his laboratory.
Richards had seen to it that Kistiakowsky - "Kisty" to his pals - secured a generous grant from the Loomis Laboratory. The two had met and become fast friends at Princeton in the fall of 1926, when as new chemistry teachers they were assigned to share the same ground-floor laboratory. They were both tall, physically imposing men, with the same contradictory mixture of witty raconteur and reserved, introspective scientist. In no time they had discovered a mutual fondness for late night philosophizing and bathtub gin. As this was during Prohibition, the Chemistry Department had to sponsor its own drinking parties, and the two chemists "doctored" their own mixture of bootleg alcohol and ginger ale with varying degrees of success. Richards, who was subsidized by his well-heeled Brahmin family, had soon noticed that his Russian colleague, a recent emigre who sent money to his family in Europe, was having difficulty managing on the standard instructor's salary of $160 a month. Knowing any extra source of funds would be welcome, Richards had put in a good word with Loomis, just as he had when recommending Kistiakowsky to his "uncle Lawrence" - A. Lawrence Lowell, who was then president of Harvard, and Bill's uncle on his mother's side. Grinning into the phone, he had provided assurances that Kistiakowsky was not some "wild and woolly Russian" and, despite being just off the boat, was "wholly a gentleman, had proper appearance and table manners, etc."
Richards' own introduction to Loomis had happened quite by accident a few months prior to his arrival at Princeton. While Richards was completing his postdoctoral studies at Gttingen, he had been sitting in the park one Sunday morning, idly reading Chemical Abstracts, when a paragraph briefly describing an experiment being carried on in the "Loomis Laboratory" had caught his eye. He had immediately sent off a letter to the laboratory, "suggesting that certain aspects of the experiment could be further developed," and he had even outlined what the result of this development would probably be. Some months later, he received a response from the laboratory informing him that they had carried out his suggestions and the results were those he had anticipated. This had been followed by a formal invitation to work at the Loomis Laboratory.
Over the years, Richards and Kistiakowky had often commuted from Princeton to Tuxedo Park together on weekends and holidays and had conducted some of their research experiments jointly. Richards had arranged for them both to spend the summer of 1930 as research fellows at the Loomis Laboratory. What a grand time that had been. Not only was the room and board better than that of any resort hotel, but weekend recreation at Tower House - when the restriction against women was relaxed - included festive picnics, drinks, parties, and elaborate black-tie dinners. Back then, they had both been ambitious young chemists at the beginning of their careers and had reveled in the chance to work with such legendary figures as R. W. Wood, the brilliant American experimental physicist from Johns Hopkins, whom Loomis had lured to Tuxedo Park as director of his laboratory.
Continues...
Excerpted from Tuxedo Park by Jennet Conant Copyright © 2002 by Jennet Conant . Excerpted by permission.
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