1. Suite for Orchestra no 3 in D major, BWV 1068: Air |
| Composer: Johann Sebastian Bach (1685 - 1750) |
| Date Written: circa 1729-1731 |
| Period: Baroque |
| Country: Leipzig, Germany |
| From Genre: Air / Overture / Suite |
| Studio/Live: Studio |
| Venue: Manta Sound, Toronto |
| Work Notes: This selection is part of a medley which also includes "Minuet in G major" and "French Suite no 5 in G major, BWV 816: 7th movement, Gigue." |
| Conductor: Babiak, Walter |
| Ensemble: Studio Arts Orchestra |
| Performer: Granik, Jon Instrument: Spoken Vocals |
| Performer: Hammond, Susan Instrument: Piano |
| Performer: Moore, Tracey Instrument: Spoken Vocals |
2. Minuet in G major |
| Composer: Johann Sebastian Bach (1685 - 1750) |
| Period: Baroque |
| Country: Germany |
| From Genre: Minuet |
| Studio/Live: Studio |
| Venue: Manta Sound, Toronto |
| Work Notes: This selection is part of a medley which also includes "Suite for Orchestra no 3 in D major, BWV 1068: Air" and "French Suite no 5 in G major, BWV 816: 7th movement, Gigue." |
| Conductor: Babiak, Walter |
| Ensemble: Studio Arts Orchestra |
| Performer: Granik, Jon Instrument: Spoken Vocals |
| Performer: Hammond, Susan Instrument: Piano |
| Performer: Moore, Tracey Instrument: Spoken Vocals |
3. French Suite no 5 in G major, BWV 816: 7th movement, Gigue |
| Composer: Johann Sebastian Bach (1685 - 1750) |
| Date Written: circa 1724 |
| Period: Baroque |
| Country: Leipzig, Germany |
| From Genre: Gigue / Suite |
| Studio/Live: Studio |
| Venue: Manta Sound, Toronto |
| Work Notes: This selection is part of a medley which also includes "Suite for Orchestra no 3 in D major, BWV 1068: Air" and "Minuet in G major." |
| Conductor: Babiak, Walter |
| Ensemble: Studio Arts Orchestra |
| Performer: Granik, Jon Instrument: Spoken Vocals |
| Performer: Hammond, Susan Instrument: Piano |
| Performer: Moore, Tracey Instrument: Spoken Vocals |
4. Herz und Mund und Tat und Leben, BWV 147: Jesu bleibet meine Freude "Jesu, joy of man's desiring" |
| Composer: Johann Sebastian Bach (1685 - 1750) |
| Date Written: 1723 |
| Period: Baroque |
| Country: Leipzig, Germany |
| From Genre: Cantata / Chorale |
| Studio/Live: Studio |
| Venue: Manta Sound, Toronto |
| Work Notes: This selection is part of a medley which also includes "Chromatic Fantasia and Fugue in D minor, BWV 903: Fantasia" and "Well-Tempered Clavier, Book 1: Prelude and Fugue no 24 in B minor, BWV 869 - Prelude." |
| Performer: Bodle, Douglas Instrument: Keyboard |
| Performer: Granik, Jon Instrument: Spoken Vocals |
| Performer: Hammond, Susan Instrument: Piano |
| Performer: Moore, Tracey Instrument: Spoken Vocals |
5. Chromatic Fantasia and Fugue in D minor, BWV 903: Fantasia |
| Composer: Johann Sebastian Bach (1685 - 1750) |
| Date Written: circa 1720 |
| Period: Baroque |
| Country: C?then, Germany |
| From Genre: Fantasy |
| Studio/Live: Studio |
| Venue: Manta Sound, Toronto |
| Work Notes: This selection is part of a medley which also includes "Herz und Mund und Tat und Leben, BWV 147: Jesu bleibet meine Freude "Jesu, joy of man's desiring"" and "Well-Tempered Clavier, Book 1: Prelude and Fugue no 24 in B minor, BWV 869 - Prelude." |
| Performer: Bodle, Douglas Instrument: Keyboard |
| Performer: Granik, Jon Instrument: Spoken Vocals |
| Performer: Hammond, Susan Instrument: Piano |
| Performer: Moore, Tracey Instrument: Spoken Vocals |
6. Well-Tempered Clavier, Book 1: Prelude and Fugue no 24 in B minor, BWV 869 - Prelude |
| Composer: Johann Sebastian Bach (1685 - 1750) |
| Date Written: 1722 |
| Period: Baroque |
| Country: C?then, Germany |
| From Genre: Prelude |
| Studio/Live: Studio |
| Venue: Manta Sound, Toronto |
| Work Notes: This selection is part of a medley which also includes "Herz und Mund und Tat und Leben, BWV 147: Jesu bleibet meine Freude "Jesu, joy of man's desiring"" and "Chromatic Fantasia and Fugue in D minor, BWV 903: Fantasia." |
| Performer: Bodle, Douglas Instrument: Keyboard |
| Performer: Granik, Jon Instrument: Spoken Vocals |
| Performer: Hammond, Susan Instrument: Piano |
| Performer: Moore, Tracey Instrument: Spoken Vocals |
7. Allein Gott in der H?h' sei Ehr' |
| Composer: Johann Sebastian Bach (1685 - 1750) |
| Period: Baroque |
| From Genre: Chorale Prelude |
| Studio/Live: Studio |
| Venue: Manta Sound, Toronto |
| Conductor: Babiak, Walter |
| Ensemble: Studio Arts Orchestra |
| Performer: Bodle, Douglas Instrument: Organ |
| Performer: Granik, Jon Instrument: Spoken Vocals |
| Performer: Moore, Tracey Instrument: Spoken Vocals |
8. Brandenburg Concerto no 5 in D major, BWV 1050: 3rd movement |
| Composer: Johann Sebastian Bach (1685 - 1750) |
| Date Written: 1720-1721 |
| Period: Baroque |
| Country: ?C?then, Germany |
| From Genre: Concerto |
| Studio/Live: Studio |
| Venue: Manta Sound, Toronto |
| Conductor: Babiak, Walter |
| Ensemble: Studio Arts Orchestra |
| Performer: Armin, Adele Instrument: Violin |
| Performer: Bodle, Douglas Instrument: Harpsichord |
| Performer: Shulman, Suzanne Instrument: Flute |
9. Sonata for Flute and Harpsichord in C major, BWV 1033: 2nd movement, Allegro |
| Composer: Johann Sebastian Bach (1685 - 1750) |
| Period: Baroque |
| From Genre: Sonata |
| Studio/Live: Studio |
| Venue: Manta Sound, Toronto |
| Work Notes: This selection is part of a medley which also includes "Es ist das Heil uns kommen her, BWV 9: no 1, Es ist das Heil uns kommen her", "Suite for Orchestra no 2 in B minor, BWV 1067: Minuet" and "Sonata for Violin and Basso Continuo in E minor, BWV 1023: 2nd movement, Allemande." |
| Conductor: Babiak, Walter |
| Ensemble: Studio Arts Orchestra |
| Performer: Armin, Adele Instrument: Violin |
| Performer: Bodle, Douglas Instrument: Organ |
| Performer: Granik, Jon Instrument: Spoken Vocals |
| Performer: Moore, Tracey Instrument: Spoken Vocals |
| Performer: Shulman, Suzanne Instrument: Flute |
10. Es ist das Heil uns kommen her, BWV 9: no 1, Es ist das Heil uns kommen her |
| Composer: Johann Sebastian Bach (1685 - 1750) |
| Date Written: circa 1732-1735 |
| Period: Baroque |
| Country: Leipzig, Germany |
| From Genre: Cantata / Chorale |
| Studio/Live: Studio |
| Venue: Manta Sound, Toronto |
| Work Notes: This selection is part of a medley which also includes "Sonata for Flute and Harpsichord in C major, BWV 1033: 2nd movement, Allegro", "Suite for Orchestra no 2 in B minor, BWV 1067: Minuet" and "Sonata for Violin and Basso Continuo in E minor, BWV 1023: 2nd movement, Allemande." |
| Conductor: Babiak, Walter |
| Ensemble: Studio Arts Orchestra |
| Performer: Armin, Adele Instrument: Violin |
| Performer: Bodle, Douglas Instrument: Organ |
| Performer: Granik, Jon Instrument: Spoken Vocals |
| Performer: Moore, Tracey Instrument: Spoken Vocals |
| Performer: Shulman, Suzanne Instrument: Flute |
11. Suite for Orchestra no 2 in B minor, BWV 1067: Minuet |
| Composer: Johann Sebastian Bach (1685 - 1750) |
| Period: Baroque |
| Country: Leipzig, Germany |
| From Genre: Minuet / Overture / Suite |
| Studio/Live: Studio |
| Venue: Manta Sound, Toronto |
| Work Notes: This selection is part of a medley which also includes "Sonata for Flute and Harpsichord in C major, BWV 1033: 2nd movement, Allegro", "Es ist das Heil uns kommen her, BWV 9: no 1, Es ist das Heil uns kommen her" and "Sonata for Violin and Basso Continuo in E minor, BWV 1023: 2nd movement, Allemande."
Composition written: Leipzig, Germany (1738 - 1739). |
| Conductor: Babiak, Walter |
| Ensemble: Studio Arts Orchestra |
| Performer: Armin, Adele Instrument: Violin |
| Performer: Bodle, Douglas Instrument: Organ |
| Performer: Granik, Jon Instrument: Spoken Vocals |
| Performer: Moore, Tracey Instrument: Spoken Vocals |
| Performer: Shulman, Suzanne Instrument: Flute |
12. Sonata for Violin and Basso Continuo in E minor, BWV 1023: 2nd movement, Allemande |
| Composer: Johann Sebastian Bach (1685 - 1750) |
| Period: Baroque |
| Country: Weimar, Germany |
| From Genre: Sonata |
| Studio/Live: Studio |
| Venue: Manta Sound, Toronto |
| Work Notes: This selection is part of a medley which also includes "Sonata for Flute and Harpsichord in C major, BWV 1033: 2nd movement, Allegro", "Es ist das Heil uns kommen her, BWV 9: no 1, Es ist das Heil uns kommen her" and "Suite for Orchestra no 2 in B minor, BWV 1067: Minuet."
Composition written: Weimar, Germany (1714 - 1717). |
| Conductor: Babiak, Walter |
| Ensemble: Studio Arts Orchestra |
| Performer: Armin, Adele Instrument: Violin |
| Performer: Bodle, Douglas Instrument: Organ |
| Performer: Granik, Jon Instrument: Spoken Vocals |
| Performer: Moore, Tracey Instrument: Spoken Vocals |
| Performer: Shulman, Suzanne Instrument: Flute |
13. Well-Tempered Clavier, Book 1: Prelude and Fugue no 1 in C, BWV 846 - Prelude |
| Composer: Johann Sebastian Bach (1685 - 1750) |
| Date Written: 1722 |
| Period: Baroque |
| Country: C?then, Germany |
| From Genre: Prelude |
| Studio/Live: Studio |
| Venue: Manta Sound, Toronto |
| Work Notes: This selection is part of a medley which also includes "Suite for Orchestra no 2 in B minor, BWV 1067: Rondeau." |
| Conductor: Babiak, Walter |
| Ensemble: Studio Arts Orchestra |
| Performer: Granik, Jon Instrument: Spoken Vocals |
| Performer: Hammond, Susan Instrument: Piano |
| Performer: Moore, Tracey Instrument: Spoken Vocals |
14. Suite for Orchestra no 2 in B minor, BWV 1067: Rondeau |
| Composer: Johann Sebastian Bach (1685 - 1750) |
| Period: Baroque |
| Country: Leipzig, Germany |
| From Genre: Overture / Rondeau / Suite |
| Studio/Live: Studio |
| Venue: Manta Sound, Toronto |
| Work Notes: This selection is part of a medley which also includes "Well-Tempered Clavier, Book 1: Prelude and Fugue no 1 in C, BWV 846 - Prelude."
Composition written: Leipzig, Germany (1738 - 1739). |
| Conductor: Babiak, Walter |
| Ensemble: Studio Arts Orchestra |
| Performer: Granik, Jon Instrument: Spoken Vocals |
| Performer: Hammond, Susan Instrument: Piano |
| Performer: Moore, Tracey Instrument: Spoken Vocals |
15. Bist du bei mir |
| Composer: Gottfried H. St?lzel (1690 - 1749) |
| Period: Baroque |
| Language: German |
| From Genre: Song |
| Studio/Live: Studio |
| Venue: Manta Sound, Toronto |
| Work Notes: This work, formerly attributed to J.S. Bach, is currently believed to have
been composed by Gottfried Heinrich St?lzel. |
16. Suite for Orchestra no 2 in B minor, BWV 1067: Badinerie |
| Composer: Johann Sebastian Bach (1685 - 1750) |
| Period: Baroque |
| Country: Leipzig, Germany |
| From Genre: Badinerie / Overture / Suite |
| Studio/Live: Studio |
| Venue: Manta Sound, Toronto |
| Work Notes: Composition written: Leipzig, Germany (1738 - 1739). |
| Conductor: Babiak, Walter |
| Ensemble: Studio Arts Orchestra |
17. Suite for Orchestra no 3 in D major, BWV 1068: Air |
| Composer: Johann Sebastian Bach (1685 - 1750) |
| Date Written: circa 1729-1731 |
| Period: Baroque |
| Country: Leipzig, Germany |
| From Genre: Air / Overture / Suite |
| Studio/Live: Studio |
| Venue: Manta Sound, Toronto |
| Conductor: Babiak, Walter |
| Ensemble: Studio Arts Orchestra |
18. Suite for Orchestra no 3 in D major, BWV 1068: Gigue |
| Composer: Johann Sebastian Bach (1685 - 1750) |
| Date Written: circa 1729-1731 |
| Period: Baroque |
| Country: Leipzig, Germany |
| From Genre: Gigue / Suite |
| Studio/Live: Studio |
| Venue: Manta Sound, Toronto |
| Conductor: Babiak, Walter |
| Ensemble: Studio Arts Orchestra |
19. Goldberg Variations, BWV 988: Theme "Aria" |
| Composer: Johann Sebastian Bach (1685 - 1750) |
| Date Written: 1741-1742 |
| Period: Baroque |
| Country: Nuremberg, Germany |
| From Genre: Variations |
| Studio/Live: Studio |
| Venue: Manta Sound, Toronto |
| Work Notes: This selection is part of a medley which also includes "Art of the Fugue, BWV 1080: Excerpt(s)." |
| Performer: Bodle, Douglas Instrument: Harpsichord |
| Performer: Granik, Jon Instrument: Spoken Vocals |
| Performer: Moore, Tracey Instrument: Spoken Vocals |
20. Art of the Fugue, BWV 1080: Excerpt(s) |
| Composer: Johann Sebastian Bach (1685 - 1750) |
| Date Written: circa 1745-1750 |
| Period: Baroque |
| Country: Leipzig, Germany |
| From Genre: Fugue |
| Studio/Live: Studio |
| Venue: Manta Sound, Toronto |
| Work Notes: This selection is part of a medley which also includes "Goldberg Variations, BWV 988: Theme "Aria"." |
| Performer: Bodle, Douglas Instrument: Harpsichord |
| Performer: Granik, Jon Instrument: Spoken Vocals |
| Performer: Moore, Tracey Instrument: Spoken Vocals |
21. Liebster Jesu, wir sind hier |
| Composer: Johann Sebastian Bach (1685 - 1750) |
| Date Written: 1708-1717 |
| Period: Baroque |
| Country: Weimar, Germany |
| From Genre: Chorale Prelude |
| Studio/Live: Studio |
| Venue: Manta Sound, Toronto |
| Work Notes: This selection is part of a medley which also includes "Sonata for Flute and Harpsichord in C major, BWV 1033: 4th movement, Menuet." |
| Performer: Bodle, Douglas Instrument: Harpsichord |
| Performer: Granik, Jon Instrument: Spoken Vocals |
| Performer: Moore, Tracey Instrument: Spoken Vocals |
| Performer: Schulmann, Suzanne Instrument: Flute |
22. Sonata for Flute and Harpsichord in C major, BWV 1033: 4th movement, Menuet |
| Composer: Johann Sebastian Bach (1685 - 1750) |
| Period: Baroque |
| From Genre: Minuet / Sonata |
| Studio/Live: Studio |
| Venue: Manta Sound, Toronto |
| Work Notes: This selection is part of a medley which also includes "Liebster Jesu, wir sind hier." |
| Performer: Bodle, Douglas Instrument: Harpsichord |
| Performer: Granik, Jon Instrument: Spoken Vocals |
| Performer: Moore, Tracey Instrument: Spoken Vocals |
| Performer: Schulmann, Suzanne Instrument: Flute |
| Performer: Shulman, Suzanne Instrument: Flute |
23. Jesu, der du meine Seele, BWV 78: Wir eilen mit schwachen, doch emsigen Schritten, o Jesu, o Meister |
| Composer: Johann Sebastian Bach (1685 - 1750) |
| Date Written: 1724 |
| Period: Baroque |
| Country: Leipzig, Germany |
| Language: German |
| From Genre: Duet / Cantata |
| Studio/Live: Studio |
| Venue: Manta Sound, Toronto |
| Conductor: Babiak, Walter |
| Ensemble: Studio Arts Orchestra |
| Ensemble: Toronto Boys' Choir |
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